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You've selected:
Tonic Dominant
Sheetmusic to print
173 sheet music found
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Thompson's Structured Guide: Scales, Modes and Associated Chords (C-TONIC ONLY VERSION)
Thompson's Structured Guide: Scales, Modes and Associated Chords (C-TONIC ONLY VERSION)
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Piano solo
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INTERMEDIATE
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Alan R
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Alan R
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Thompson's Structured Guide: S
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Alan R Thompson
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.814482 By Alan R. Thompson. By Alan R. Thompson. Arranged by Alan R. Thompson. Blues,Classical,Instructional,Jazz,Multicu...
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Piano Solo - Level 3 - SKU: A0.814482 By Alan R. Thompson. By Alan R. Thompson. Arranged by Alan R. Thompson. Blues,Classical,Instructional,Jazz,Multicultural,World. Score. 16 pages. Alan R Thompson #421393. Published by Alan R Thompson (A0.814482). The C-TONIC ONLY version of Thompson's Structured Guide: Scales, Modes and Associated Chords - represents an invitation for you to explore part of the vast universe of melodic and harmonic musical options. This Structured Guide will provide a foundation for improvisation sessions, building blocks for the creation of original music, be helpful in developing technical proficiency in your instrument of choice, improve your sight-reading skills and help you better develop an ear for music. Though here only C-Tonic Scales, Modes and Associated Chords are listed, the complete version of this book (available separately at https://www.sheetmusicplus.com/title/thompson-s-structured-guide-scales-modes-and-associated-chords-complete-version-digital-sheet-music/22266897) lists in standard sheet music notation over 50 scales and over 50 chords in each of the 12 Tonic/Tonal Centers (C thru B) and in all Key Signatures in Western Music. Each Tonic/Tonal Center is 16 pages of sheet music. The Audio Preview covers the 16 pages of C-Tonic/Tonal Center (trumpet over piano used). Together with the exercises in the Appendices the entire book (sold separately) is 316 pages long. Summary of Scales & Modes Covered: Major, Natural Minor, Harmonic Minor, Melodic Minor, Melodic Minor Ascending/Natural Minor Descending, Whole-Tone, Octatonic Diminished & Octatonic Dominant Scales, numerous Bebop Scales with variations, numerous Pentatonic & Blues Scales with variations, Chromatic Scale, Lydian Diminished/Lydian b3 Scale, miscellaneous Pentatonic Major Modes & Japanese & Rock Pentatonic Style Scales, and the Augmented and Arabian Scales. There is a 50+ Chords Reference section (basic triads up to 13th chords). The entire book is in essence a series of practice exercises covering most every conceivable scale & associated chord combination used in the vast majority of music. Additionally, there are basic foundational exercises located in the Appendices A thru L. NOTE: Only SHEET MUSTIC is available here. However, a FREE PDF version of the Cover Page, Table of Contents, Introduction & Instructions is available for the entire book. Contact the author at alanrt63@gmail.com to request this if you desire.
$2.99 ≈
2.79€
Para Que Lastimarme
Para Que Lastimarme
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Choral 2-part
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EASY
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Contemporary
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Gerardo Ortiz
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Tony Domenick
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Para Que Lastimarme
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Tonic Dominant
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SheetMusicPlus
Choral Choir (SA) - Level 2 - SKU: A0.1032542 By Gerardo Ortiz. By Gerardo Demara, Gerardo Demara Valenzuela, Gerardo Ortiz Medina, and Jose Angel Del V...
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Choral Choir (SA) - Level 2 - SKU: A0.1032542 By Gerardo Ortiz. By Gerardo Demara, Gerardo Demara Valenzuela, Gerardo Ortiz Medina, and Jose Angel Del Villar. Arranged by Tony Domenick. Contemporary. Octavo. 6 pages. Tonic Dominant #4969537. Published by Tonic Dominant (A0.1032542). Para Qué Lastimarme is a song about love lost, entirely appropriate for public school concerts. This arrangement was intended for changing middle school voices, but works equally well for young treble choirs or mature voices. The difficulty is easy - intermediate, depending on your singers' familiarity with Spanish. The piano accompaniment left hand is a transcription of the original tuba part from the Gerardo Ortiz recording.Find out more about Tonic Dominant:Website: tonicdominant.wixsite.com/tonydomenickTwitter: @TonicDominantInstagram: TonicDominant.
$2.50 ≈
2.33€
Variations on Adeste fideles, Op. 21
Variations on Adeste fideles, Op. 21
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Organ
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ADVANCED
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Vidas Pinkevicius
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Variations on Adeste fideles,
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Vidas Pinkevicius
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SheetMusicPlus
Organ - Level 5 - SKU: A0.909270 Composed by Vidas Pinkevicius. Christian,Contemporary,Sacred. Score. 8 pages. Vidas Pinkevicius #3540609. Published by ...
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Organ - Level 5 - SKU: A0.909270 Composed by Vidas Pinkevicius. Christian,Contemporary,Sacred. Score. 8 pages. Vidas Pinkevicius #3540609. Published by Vidas Pinkevicius (A0.909270). In the fall of 2013 my friend and colleague, Paulius Grigonis who is the organist at St Joseph church here in Vilnius was preparing to play a recital at Vilnius Cathedral around Christmas time. He approached me asking for advice about the pieces he could be playing.I offered him to compose a set of 6 variations on the famous Christmas tune Adeste fideles and he agreed too much hesitation (too bad).I started working on the composition but got stuck at the end of the 5th variation. I used major and minor chords only. My goal was to create something colorful and modern and yet understandable to the listener.Because of these simple chords the harmonies are very clear and transparent. What makes it sound modern though is that I avoid traditional chordal progressions of the perfect fourth and perfect fifth. This would imply tonic-dominant, dominant-tonic, tonic-subdominant, subdominant-tonic relationship.But I didn't want this. I wanted to surprise my audience and my friend Paulius. So I chose all kinds of progressions - minor and major seconds, minor and major thirds, even a tritone to keep it fresh.However, the result was too difficult to play for Paulius on a short notice and I got side-tracked with other projects. Although the idea of completing the variations never left me.So last weekend I sat down and added the last variation with a CODA.I hope you'll enjoy this piece which is dedicated to Paulius.8 pages, PDF score. Advanced level.
$7.99 ≈
7.46€
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
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Brian Streckfus
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Guitar Chord Progression Gener
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Brian Streckfus
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #7...
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Solo Guitar - Level 2 - SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #739941. Published by Brian Streckfus (A0.1139670). This is a 12-page PDF showing 7 guitar chords on each page. Rather than selling each PDF seperately (which is a bit overpriced and too much of a hassle), I decided to combine them and offer a great deal! Learn how to compose chord progressions like a pro while having fun and playing!Objective:Teach yourself the seven chords that belong to each type of scale. Rather than bombard you with a thousand guitar chords (which is easy to happen when browsing the internet or playing random songs), I'd rather show how a select few chords are working well together in common contexts. The hope is that you would then be able to see this happening in all 12 keys. What Scales/Modes are being harmonized? C Major (+jazz version) A (natural) minor (+jazz version) A harmonic minor (+jazz version) B Locrian D Dorian E Phyrigian F Lydian G Mixolydian Features: Slowly increases in physical and theoritcal difficulty at the same time. Many music theory books seem abstract and impractical whereas these chord charts show music theory applied to guitar. These chord progressions are a great composition aid. Guitar chord diagrams Traditional notation with letter names on the note heads Roman numerals color coded Modes included. The Beatles and jazz musicians use modal chord progressions to give their music uniqueness. It's almost as if one note is wrong intentionally. Practicality and flow on guitar is emphasized more then music theory conciseness. Letter names are not in a perfect order (as that is sometimes impossible for the guitar to do). Sometimes a more complex chord is opted for because it's actually easier to play physically. Tips: Order = Blue, Yellow, Red, Blue for stereotypical classical style chord progressions. Rock and blues often do more of a chord succession; red going to yellow happens often, even though it is breaking a rule. The professional names for blue, yellow, red: tonic, predominant, dominant respectively. I did not invent this theoretical concept, but I am probably one of the few musician's to color code the categories regularly. The colors explain the situation elegantly; the professional words seem like abstract PhD education, whereas saying blue is relaxing and red is uncomfortable is something a child can understand quickly. One fantastic tip I hardly hear anyone say: it doesn't so much matter that you play the same chord as the other musician in your ensemble (unless you are getting paid to do exactly that). It matters more that you simply play the same color as them. You will have a deeper understanding of how music works if you think like this, and mistakes will no longer be seen as mistakes. What happens when a C Major and A minor chord are played at the same time? Hardly anything! It's just a Am7! Big whoop! It isn't a horrendous sounding mistake. Circle a key on the circle of fifths. Now circle the two keys next to it (-1b, +1#). This leads to six chords that belong diatonically to the first key you circled! Memorizing these will allow you to better predict what composers are about to do, especially if you know ahead of time that the song does not change key. Get away from the echo chamber of common are arugably bad cowboy chords and be able to build your own.
$1.99 ≈
1.86€
Trumpet Scales Grade 8. For the new ABRSM Syllabus from 2023.
Trumpet Scales Grade 8. For the new ABRSM Syllabus from 2023.
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Trumpet
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ADVANCED
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Classical
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ABRSM
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Tim Curd
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Trumpet Scales Grade 8. For th
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Tim Curd
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SheetMusicPlus
B-Flat Trumpet Solo - Level 5 - SKU: A0.1227795 Composed by ABRSM. Arranged by Tim Curd. Classical. Individual part. 4 pages. Tim Curd #823759. Publishe...
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B-Flat Trumpet Solo - Level 5 - SKU: A0.1227795 Composed by ABRSM. Arranged by Tim Curd. Classical. Individual part. 4 pages. Tim Curd #823759. Published by Tim Curd (A0.1227795). Trumpet Scales Grade 8. For the new ABRSM Syllabus from 2023.These are the scales for the new 2023 and onwards brass syllabus. These scales can also be used for: Cornet in Bb, Flugelhorn, Horn, Eb Horn, Baritone/Euphonium (treble clef), and Tuba (treble clef in Eb)Please note that you can't use the old scales with the new syllabus or vice versa.The examiner will request the scales to be performed either tongued, legato tongued or slurred.The candidate will need to learn both harmonic and melodic minor scales.F Major Scale: a 12thF Major Arpeggio: a 12thF Harmonic Minor Scale: a 12thF Melodic Minor Scale: a 12thF Minor Arpeggio: a 12thF# Major Scale: a 12thF# Major Arpeggio: a 12thF# Harmonic Minor Scale: a 12thF# Melodic Minor Scale: a 12thF# Minor Arpeggio: a 12thB Major Scale: 2 OctavesB Major Arpeggio: 2 OctavesB Harmonic Minor Scale: 2 OctavesB Melodic Minor Scale: 2 OctavesB Minor Arpeggio: 2 OctavesC Major Scale: 2 OctavesC Major Arpeggio: 2 OctavesC Harmonic Minor Scale: 2 OctavesC Melodic Minor Scale: 2 OctavesC Minor Arpeggio: 2 OctavesAb Major, Extended-Range ScaleAb Major, Extended-Range ArpeggioG Harmonic Minor, Extended-Range ScaleG Minor, Extended-Range ArpeggioA Major, 2 Octaves in 3rdsBb Major, 2 Octaves in 3rdsF# Chromatic: 2 OctavesB Chromatic: 2 OctavesC Chromatic: 2 OctavesWhole Tone Scale in B: 2 OctavesWhole Tone Scale in C: 2 OctavesDominant 7th in the key of Bb, Resolving on TonicDominant 7th in the key of B, 2 Octaves Resolving on TonicDominant 7th in the key of E, 2 Octaves Resolving on TonicDominant 7th in the Key of F, 2 Octaves Resolving on TonicDiminished 7th in F#: 2 OctavesDiminished 7th in B: 2 OctavesDiminished 7th in C: 2 Octaves.
$3.00 ≈
2.80€
Trumpet Scales Grade 7. For the new ABRSM Syllabus from 2023.
Trumpet Scales Grade 7. For the new ABRSM Syllabus from 2023.
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Trumpet
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ADVANCED
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Classical
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ABRSM
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Tim Curd
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Trumpet Scales Grade 7. For th
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Tim Curd
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SheetMusicPlus
B-Flat Trumpet Solo - Level 5 - SKU: A0.1227794 Composed by ABRSM. Arranged by Tim Curd. Classical. Individual part. 4 pages. Tim Curd #823757. Publishe...
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B-Flat Trumpet Solo - Level 5 - SKU: A0.1227794 Composed by ABRSM. Arranged by Tim Curd. Classical. Individual part. 4 pages. Tim Curd #823757. Published by Tim Curd (A0.1227794). Trumpet Scales Grade 7. For the new ABRSM Syllabus from 2023.These are the scales for the new 2023 and onwards brass syllabus. These scales can also be used for: Cornet in Bb, Flugelhorn, Horn, Eb Horn, Baritone/Euphonium (treble clef), and Tuba (treble clef in Eb)Please note that you can't use the old scales with the new syllabus or vice versa.The examiner will request the scales to be performed either legato tongued, staccato, or slurred.The candidate will need to learn both harmonic and melodic minor scales.Db Major Scale: a 12thDb Major Arpeggio: a 12thC# Major Scale: a 12thC# Major Arpeggio: a 12thC# Harmonic Minor Scale: a 12thC# Melodic Minor Scale: a 12thC# Minor Arpeggio: a 12thE Major Scale: a 12thE Major Arpeggio: a 12thE Harmonic Minor Scale: a 12thE Melodic Minor Scale: a 12thE Minor Arpeggio: a 12thA Major Scale: 2 OctavesA Major Arpeggio: 2 OctavesA Harmonic Minor Scale: 2 OctavesA Melodic Minor Scale: 2 OctavesA Minor Arpeggio: 2 OctavesBb Major Scale: 2 OctavesBb Major Arpeggio: 2 OctavesBb Harmonic Minor Scale: 2 OctavesBb Melodic Minor Scale: 2 OctavesBb Minor Arpeggio: 2 OctavesD Major, Extended-Range ScaleD Major, Extended-Range ArpeggioG Major, 2 Octaves in 3rdsA Chromatic: 2 OctavesBb Chromatic: 2 OctavesWhole Tone Scale in A: 2 OctavesWhole Tone Scale in Bb: 2 OctavesDominant 7th in the key of F#, Resolving on TonicDominant 7th in the key of A, Resolving on TonicDominant 7th in the key of D, Resolving on TonicDominant 7th in the Key of Eb, 2 Octaves Resolving on TonicDiminished 7th in A: 2 Octaves.Diminished 7th in Bb: 2 Octaves.
$3.00 ≈
2.80€
Passacaglia in C (piano duet)
Passacaglia in C (piano duet)
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1 Piano, 4 hands
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ADVANCED
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John Pitts
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Passacaglia in C
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Intensely Pleasant Music
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.890701 Composed by John Pitts. Baroque,Contemporary. Score and parts. 36 pages. Intensely ...
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Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.890701 Composed by John Pitts. Baroque,Contemporary. Score and parts. 36 pages. Intensely Pleasant Music #3424663. Published by Intensely Pleasant Music (A0.890701). Passacaglia (2000-2012) duet 6 minutes This piece also exists in versions for organ (my original version in 2000) and orchestra (performed by Bristol University Symphony Orchestra under the baton of John Pickard in 2001). The piano duet version was finally completed in 2012. The theme is based on the ground bass from Bach’s stonking Passacaglia in C minor for organ. However, the implied harmonies of Bach’s original ground bass are treated to some twisted harmonies – where each chord is altered using a system of harmonic substitution - swapping each chord implication for a newly chosen one (Cm=C, Fm=F#, G=A, Dm=A¨, Eb=F and on it goes around the 12 chromatic notes). Each key therefore has a ‘dominant’ and ‘subdominant’ that are not the actual chords V and IV in that key, so the traditional cadences and chord relationships are supplanted by 12 individual 3-chord relationships – one set of three chords for each of the 12 (now almost exclusively major) keys. In an attempt to recreate the pulls of the traditional tonic-dominant-subdominant relationships, each key then also has a particular mode/scale with particular added notes that are designed to recreate the sense of moving away from and back towards the home chord of that key. This results in a lot of rich added harmonies and some idiomatic voice-leading. Bach’s original theme in Cm is: C G - E¨ F - G A¨ - F G - D E¨ - B C - F G - C, and in the opening statement of the ground bass this has become: C A - E F# - A B¨ - F# A - D# E - C# C - F# A - C. There are then 21 variations which modulate through a range of keys, during which the ground bass is constantly re-adjusted to fit the new harmonic areas. It starts in C major, then goes through ‘closely’ related keys (eg A major and A¨ major), and then back to C in variations 6, 9 and 11. This kind of arch then happens again but going through more distant keys before returning to C in variations 18, 19 and the final climactic variation 21. Leaving aside the structural and tonal nuts and bolts, my aim was to compose a piece that attempts to recapture some of the nobility and beauty of Bach's Passacaglia, with rich added note harmonies, and exuding an exuberant joy.
$9.99 ≈
9.32€
Passacaglia in C (Organ)
Passacaglia in C (Organ)
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Organ
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ADVANCED
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John Pitts
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#
Passacaglia in C
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Intensely Pleasant Music
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SheetMusicPlus
Organ - Level 5 - SKU: A0.890713 Composed by John Pitts. Baroque,Christian,Contemporary,Sacred. Score. 20 pages. Intensely Pleasant Music #3424723. Publ...
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Organ - Level 5 - SKU: A0.890713 Composed by John Pitts. Baroque,Christian,Contemporary,Sacred. Score. 20 pages. Intensely Pleasant Music #3424723. Published by Intensely Pleasant Music (A0.890713). Passacaglia (2000-2012) for Organ - 6 minutes This piece exists in versions for organ (this one - the original version in 2000) and orchestra (performed by Bristol University Symphony Orchestra under the baton of John Pickard in 2001), and finally a piano duet version completed in 2012. The theme is based on the ground bass from Bach’s stonking Passacaglia in C minor for organ. However, the implied harmonies of Bach’s original ground bass are treated to some twisted harmonies – where each chord is altered using a system of harmonic substitution - swapping each chord implication for a newly chosen one (Cm=C, Fm=F#, G=A, Dm=A¨, Eb=F and on it goes around the 12 chromatic notes). Each key therefore has a ‘dominant’ and ‘subdominant’ that are not the actual chords V and IV in that key, so the traditional cadences and chord relationships are supplanted by 12 individual 3-chord relationships – one set of three chords for each of the 12 (now almost exclusively major) keys. In an attempt to recreate the pulls of the traditional tonic-dominant-subdominant relationships, each key then also has a particular mode/scale with particular added notes that are designed to recreate the sense of moving away from and back towards the home chord of that key. This results in a lot of rich added harmonies and some idiomatic voice-leading. Bach’s original theme in Cm is: C G - E¨ F - G A¨ - F G - D E¨ - B C - F G - C, and in the opening statement of the ground bass this has become: C A - E F# - A B¨ - F# A - D# E - C# C - F# A - C. There are then 21 variations which modulate through a range of keys, during which the ground bass is constantly re-adjusted to fit the new harmonic areas. It starts in C major, then goes through ‘closely’ related keys (eg A major and A¨ major), and then back to C in variations 6, 9 and 11. This kind of arch then happens again but going through more distant keys before returning to C in variations 18, 19 and the final climactic variation 21. Leaving aside the structural and tonal nuts and bolts, my aim was to compose a piece that attempts to recapture some of the nobility and beauty of Bach's Passacaglia, with rich added note harmonies, and exuding an exuberant joy.
$7.99 ≈
7.46€
Trumpet Scales Grade 6. For the new ABRSM Syllabus from 2023.
Trumpet Scales Grade 6. For the new ABRSM Syllabus from 2023.
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Trumpet
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INTERMEDIATE/ADVANCED
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Classical
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ABRSM
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Tim Curd
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Trumpet Scales Grade 6. For th
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Tim Curd
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SheetMusicPlus
B-Flat Trumpet Solo - Level 4 - SKU: A0.1227793 Composed by ABRSM. Arranged by Tim Curd. Classical. Individual part. 4 pages. Tim Curd #823756. Publishe...
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B-Flat Trumpet Solo - Level 4 - SKU: A0.1227793 Composed by ABRSM. Arranged by Tim Curd. Classical. Individual part. 4 pages. Tim Curd #823756. Published by Tim Curd (A0.1227793). Trumpet Scales Grade 6. For the new ABRSM Syllabus from 2023.These are the scales for the new 2023 and onwards brass syllabus. These scales can also be used for: Cornet in Bb, Flugelhorn, Horn, Eb Horn, Baritone/Euphonium (treble clef), and Tuba (treble clef in Eb)Please note that you can't use the old scales with the new syllabus or vice versa.The examiner will request the scales to be performed either tongued or slurred.The candidate will need to learn both harmonic and melodic minor scales.D Major Scale: a 12thD Major Arpeggio: a 12thD Harmonic Minor Scale: a 12thD Melodic Minor Scale: a 12thD Minor Arpeggio: a 12thEb Major Scale: a 12thEb Major Arpeggio: a 12thEb Harmonic Minor Scale: a 12thEb Melodic Minor Scale: a 12thEb Minor Arpeggio: a 12thG Major Scale: 2 OctavesG Major Arpeggio: 2 OctavesG Harmonic Minor Scale: 2 OctavesG Melodic Minor Scale: 2 OctavesG Minor Arpeggio: 2 OctavesAb Major Scale: 2 OctavesAb Major Arpeggio: 2 OctavesAb Harmonic Minor Scale: 2 OctavesAb Melodic Minor Scale: 2 OctavesAb Minor Arpeggio: 2 OctavesG# Harmonic Minor Scale: 2 OctavesG# Melodic Minor Scale: 2 OctavesG# Minor Arpeggio: 2 OctavesBb Major, 1 Octave in 3rdsG Chromatic: 2 OctavesAb Chromatic: 2 OctavesWhole Tone Scale in G: 2 OctavesWhole Tone Scale in Ab: 2 OctavesDominant 7th in the key of G, Resolving on TonicDominant 7th in the key of Ab, Resolving on TonicDominant 7th in the key of Db, Resolving on TonicDiminished 7th in G#: 2 Octaves.
$3.00 ≈
2.80€
Trumpet Scales Grade 5. For the new ABRSM Syllabus from 2023.
Trumpet Scales Grade 5. For the new ABRSM Syllabus from 2023.
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Trumpet
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INTERMEDIATE
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Classical
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ABRSM
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Tim Curd
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Trumpet Scales Grade 5. For th
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Tim Curd
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SheetMusicPlus
B-Flat Trumpet Solo - Level 3 - SKU: A0.1227792 Composed by ABRSM. Arranged by Tim Curd. Classical. Individual part. 3 pages. Tim Curd #823755. Publishe...
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B-Flat Trumpet Solo - Level 3 - SKU: A0.1227792 Composed by ABRSM. Arranged by Tim Curd. Classical. Individual part. 3 pages. Tim Curd #823755. Published by Tim Curd (A0.1227792). Trumpet Scales Grade 5. For the new ABRSM Syllabus from 2023.These are the scales for the new 2023 and onwards brass syllabus. These scales can also be used for: Cornet in Bb, Soprano Cornet, Flugelhorn, Horn, Eb Horn, Baritone/Euphonium (treble clef), and Tuba (treble clef in Eb)Please note that you can't use the old scales with the new syllabus or vice versa.The examiner will request the scales to be performed either tongued or slurred.The candidate will only need to learn one type of minor scale; either harmonic or melodic.B Major Scale: a 12thB Major Arpeggio: a 12thC Major Scale: a 12thC Major Arpeggio: a 12thDb Major Scale: a 12thDb Major Arpeggio: a 12thG Major Scales: 2 OctavesG Major Arpeggio: 2 OctavesBb Harmonic Minor Scale: a 12thBb Melodic Minor Scale: a 12thBb Minor Arpeggio: a 12thC# Harmonic Minor Scale: a 12thC# Melodic Minor Scale: a 12thC# Minor Arpeggio: a 12thF Harmonic Minor Scale: 1 Octave and down to the dominant.F Melodic Minor Scale: 1 Octave and down to the dominant.F Minor Arpeggio: 1 Octave and down to the dominant.G Harmonic Minor Scale: 2 OctavesG Melodic Minor Scale: 2 OctavesG Minor Arpeggio: 2 OctavesG Chromatic: 2 OctavesWhole Tone Scale in G: 2 OctavesDominant 7th in the key of C, Resolving on TonicDominant 7th in the key of Db, Resolving on TonicDiminished 7th in G: 2 Octaves.
$1.99 ≈
1.86€
Horn Scales Grade 5. For the new ABRSM Syllabus from 2023.
Horn Scales Grade 5. For the new ABRSM Syllabus from 2023.
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French horn
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INTERMEDIATE
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Classical
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ABRSM
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Tim Curd
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Horn Scales Grade 5. For the n
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Tim Curd
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SheetMusicPlus
French Horn Solo - Level 3 - SKU: A0.1227736 Composed by ABRSM. Arranged by Tim Curd. Classical. Individual part. 3 pages. Tim Curd #823700. Published b...
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French Horn Solo - Level 3 - SKU: A0.1227736 Composed by ABRSM. Arranged by Tim Curd. Classical. Individual part. 3 pages. Tim Curd #823700. Published by Tim Curd (A0.1227736). Horn Scales Grade 5. For the new ABRSM Syllabus from 2023.These are the scales for the new 2023 and onwards brass syllabus. Please note that you can't use the old scales with the new syllabus or vice versa.The examiner will request the scales to be performed either tongued or slurredThe candidate will only need to learn one type of minor scale; either harmonic or melodic.A Major Scale: a 12thA Major Arpeggio: a 12thB Major Scale: a 12thB Major Arpeggio: a 12thD Major Scale: 2 OctavesD Major Arpeggio: 2 OctavesG Major Scale: 2 OctavesG Major Arpeggio: 2 OctavesC Harmonic Minor Scale: a 12thC Melodic Minor Scale: a 12thC Minor Arpeggio Scale: a 12thA Harmonic Minor Scale: 1 Octave and down to the dominantA Melodic Minor Scale: 1 Octave and down to the dominantA Minor Arpeggio Scale: 1 Octave and down to the dominantD Harmonic Minor: 2 OctavesD Melodic Minor: 2 OctavesD Minor Arpeggio: 2 OctavesF# Harmonic Minor: 2 OctavesF# Melodic Minor: 2 OctavesF# Minor Arpeggio: 2 OctavesF Chromatic: 2 OctavesWhole Tone Scale in F: 2 OctavesDominant 7th in the Key of A, resolving on tonicDominant 7th in the Key of C, resolving on tonicDiminished 7th in G: 2 Octaves.
$1.99 ≈
1.86€
Trombone Scales (bass clef) Grade 5. For the new ABRSM Syllabus from 2023.
Trombone Scales (bass clef) Grade 5. For the new ABRSM Syllabus from 2023.
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Trombone
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INTERMEDIATE
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Classical
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ABRSM
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Tim Curd
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Trombone Scales
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Tim Curd
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SheetMusicPlus
Tenor Trombone,Trombone Solo - Level 3 - SKU: A0.1227780 Composed by ABRSM. Arranged by Tim Curd. Classical. Individual part. 3 pages. Tim Curd #823743....
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Tenor Trombone,Trombone Solo - Level 3 - SKU: A0.1227780 Composed by ABRSM. Arranged by Tim Curd. Classical. Individual part. 3 pages. Tim Curd #823743. Published by Tim Curd (A0.1227780). Trombone Scales Grade 5 (Bass Clef). For the new ABRSM Syllabus from 2023.These are the scales for the new 2023 and onwards brass syllabus. Please note that you can't use the old scales with the new syllabus or vice versa.The examiner will request the scales to be performed tongued only. The candidate will only need to learn one type of minor scale: either harmonic or melodic.A Major Scale: a 12thA Major Arpeggio: a 12thC Major Scale: a 12thC Major Arpeggio: a 12thF Major Scale: a 12thF Major Arpeggio: a 12thG Major Scale: 2 OctavesG Major Arpeggio: 2 OctavesA Harmonic Minor Scale: a 12thA Melodic Minor Scale: a 12thA Minor Arpeggio: a 12thC Harmonic Minor Scale: a 12thC Melodic Minor Scale: a 12thC Minor Arpeggio: a 12thEb Harmonic Minor Scale: 1 Octave and down to the dominantEb Melodic Minor Scale: 1 Octave and down to the dominantEb Minor Arpeggio: 1 Octave and down to the dominantG Harmonic Minor Scale: 2 OctavesG Melodic Minor Scale: 2 OctavesG Minor Arpeggio: 2 OctavesF Chromatic: 2 OctavesWhole Tone in F, 2 OctavesDominant 7th in the key of Bb, 2 Octaves resolving on the tonicDominant 7th in the key of C, 2 Octaves resolving on the tonicDiminished 7th in F: 2 Octaves.
$1.99 ≈
1.86€
Altered Dominant Scale 1
Altered Dominant Scale 1
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Piano solo
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Cristiano Vecchi
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Altered Dominant Scale 1
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Cristiano Vecchi
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SheetMusicPlus
Piano Solo - SKU: A0.963232 Composed by Cristiano Vecchi. 20th Century,Instructional,Jazz. Score. 5 pages. Cristiano Vecchi #3859205. Published by Crist...
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Piano Solo - SKU: A0.963232 Composed by Cristiano Vecchi. 20th Century,Instructional,Jazz. Score. 5 pages. Cristiano Vecchi #3859205. Published by Cristiano Vecchi (A0.963232). A very useful exercise to learn and use the altered dominant scale in pentatonic positions, on a simple stride-piano bass resolving to the tonic. Twelve transposition!
$1.99 ≈
1.86€
Jingle Bells
Jingle Bells
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Christmas
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James Lord Pierpont
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Uzodike Ijeh
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Jingle Bells
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Glen Dike
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SheetMusicPlus
Small Ensemble Organ,Piano,Voice - Level 2 - SKU: A0.955565 Composed by James Lord Pierpont. Arranged by Uzodike Ijeh. Christmas,Contemporary,Romantic P...
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Small Ensemble Organ,Piano,Voice - Level 2 - SKU: A0.955565 Composed by James Lord Pierpont. Arranged by Uzodike Ijeh. Christmas,Contemporary,Romantic Period. Score and parts. 2 pages. Glen Dike #4896735. Published by Glen Dike (A0.955565). This Song has an uptempo vivid feel to it with a walking Bass line and most especially the choice of chords that provide variety adding a professional touch to the piece. Rather than just implying the three basic chords of the Tonic-Subdominant-and the Dominant, which would be expected of a traditional piece like this,there are instead substitute chords implied.
$1.99 ≈
1.86€
Frère Jacques
Frère Jacques
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Guitar
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BEGINNER
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Traditional Anon
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Brian Streckfus
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Frère Jacques
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Brian Streckfus
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SheetMusicPlus
Solo Guitar - Level 1 - SKU: A0.1125213 Composed by Traditional Anon. Arranged by Brian Streckfus. Children,Classical,Early Music,Traditional. Individua...
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Solo Guitar - Level 1 - SKU: A0.1125213 Composed by Traditional Anon. Arranged by Brian Streckfus. Children,Classical,Early Music,Traditional. Individual part. 1 pages. Brian Streckfus #725994. Published by Brian Streckfus (A0.1125213). 1. Guitar Arrangement ~ 2. Beginner ~ 3. Guitar Tab ~ 4. Less stereotypical chords ~ 5. Tonic, subdominant and dominant scale degrees are color coded.
$1.99 ≈
1.86€
Boogie Woogie Festival
Boogie Woogie Festival
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Piano solo
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BEGINNER
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Thomas R
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Boogie Woogie Festival
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Thomas R. Schadl
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SheetMusicPlus
Piano Solo - Level 1 - SKU: A0.912473 Composed by Thomas R. Schadl. Blues,Instructional,Pop. Score. 1 pages. Thomas R. Schadl #2850027. Published by Tho...
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Piano Solo - Level 1 - SKU: A0.912473 Composed by Thomas R. Schadl. Blues,Instructional,Pop. Score. 1 pages. Thomas R. Schadl #2850027. Published by Thomas R. Schadl (A0.912473). 2016 Easy Piano Contest Entry.Boogie Woogie Festival is a jazz piece that makes use of the twelve-bar blues form, and contains the tonic, dominant and subdominant chords; however, the piece is double the size of the blues form. The purpose of this work is to help the player develop appreciation for popular music of many styles, including blues and other musical idioms.
$3.99 ≈
3.72€
Altered Dominant Scale 2
Altered Dominant Scale 2
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Piano solo
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INTERMEDIATE
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Cristiano Vecchi
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Altered Dominant Scale 2
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Cristiano Vecchi
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.963293 Composed by Cristiano Vecchi. Instructional,Jazz,Ragtime. Score. 6 pages. Cristiano Vecchi #4403600. Published by ...
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Piano Solo - Level 3 - SKU: A0.963293 Composed by Cristiano Vecchi. Instructional,Jazz,Ragtime. Score. 6 pages. Cristiano Vecchi #4403600. Published by Cristiano Vecchi (A0.963293). A very useful exercise to learn and use the altered dominant scale with thirds, on a simple stride-piano bass resolving to the tonic. Twelve transposition!
$1.99 ≈
1.86€
Sub-dominant fugue
Sub-dominant fugue
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Organ
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INTERMEDIATE/ADVANCED
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N/A
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N/A
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Sub-dominant fugue
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Allan Leslie McDougall
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SheetMusicPlus
Organ - Level 4 - SKU: A0.1350989 By N/A. By Allan Leslie McDougall. Arranged by N/A. Baroque,Classical,Early Music,Instructional. Score. 8 pages. Allan...
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Organ - Level 4 - SKU: A0.1350989 By N/A. By Allan Leslie McDougall. Arranged by N/A. Baroque,Classical,Early Music,Instructional. Score. 8 pages. Allan Leslie McDougall #935821. Published by Allan Leslie McDougall (A0.1350989). A fugue for organ in which the subject oscillates between the tonic and sub-dominant.
$3.00 ≈
2.80€
Ode To Joy
Ode To Joy
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Easy Piano
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BEGINNER
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Classical
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Ludwig van Beethoven
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Tessa Ying
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Ode To Joy
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Tessa Ying
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1270451 Composed by Ludwig van Beethoven. Arranged by Tessa Ying. Children,Christmas,Classical,Romantic Period,Traditiona...
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Easy Piano - Level 1 - SKU: A0.1270451 Composed by Ludwig van Beethoven. Arranged by Tessa Ying. Children,Christmas,Classical,Romantic Period,Traditional. Score. 2 pages. Tessa Ying #862836. Published by Tessa Ying (A0.1270451). This is in landscape format to allow for bigger notes and easy reading. Great for beginners to learn C 5-finger position, and tonic/dominant relationship.
$1.99 ≈
1.86€
Canon Gloria Deo for Trumpet Ensemble
Canon Gloria Deo for Trumpet Ensemble
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Trumpet ensemble
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EASY
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Guillaume Dufay
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Charles Decker
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Canon Gloria Deo for Trumpet E
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Charles Decker Music Press
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SheetMusicPlus
Trumpet Ensemble Trumpet - Level 2 - SKU: A0.817163 Composed by Guillaume Dufay. Arranged by Charles Decker. Contest,Early Music,Festival,Instructional,...
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Trumpet Ensemble Trumpet - Level 2 - SKU: A0.817163 Composed by Guillaume Dufay. Arranged by Charles Decker. Contest,Early Music,Festival,Instructional,Renaissance. 18 pages. Charles Decker Music Press #6356569. Published by Charles Decker Music Press (A0.817163). A spirited and festive canon by the Renaissance master in which the two-voice canon is exchanged between both pairs of trumpeters providing all four performers the opportunity to play the canon melody. The canon is accompanied throughout by tonic dominant figures. The audio file is an actual trumpet ensemble performance and not a computer playback of the score.See 40+ homogeneous brass group editions for horn, trumpet and trombone ensembles and more than 70 mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. Check out our Music of Black Composers Series with Charles Decker Music Press at Sheet Music Plus with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. All ensemble publications include recordings of the entire edition. Use this link to Kendor Music for more of my trumpet ensemble arrangements of music by J.S. Bach, Handel, and Renaissance composers Gervaise and Susato.
$4.95 ≈
4.62€
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Tonic Dominant
